Why is regina spektor so amazing

He now has a solo project called Only Son. He tweeted that she was one of the two most talented musicians alive and invited her to come along on a tour of the U. Share Tweet Submit Pin. Tags regina spektor. It's really awesome.

Everyone's like, "Oh you went away then you came back" but I feel like I've been around. There were a few months where I was covered in baby puke, but I've been around. HB: On the topic of motherhood, what was the process of writing completely new songs like as a new mom? RS: I am very close with my parents, they are very amazing, so loving, so cool, and really valued art. I was the only kid whose parents weren't sad that they were going to become a musician, or trying to talk me into becoming a lawyer or doctor.

I had no idea how much you loved me. I mean you know it intellectually, but you really feel it. And I was like, "If they love me this much I don't even know what to do with this information. So that was one of the very certain incredible things that you discover really connects you to your ancestors, to your family, to your heritage, to yourself, to your partner. It's a very emotional experience and at the same time, you're still yourself.

It doesn't at all look like the Madonna and her baby, it's not just peace and little rosy cheeks, it's fucking hardcore you know. It really made me see that you can't walk around the planet and think, "Oh you have a baby, you can do both—you can take art, you can have a baby, you can have a career. I felt personally that I was more creative, I was able to do more work than I had before, and I was able to really use my time more.

If I had 30 minutes that I was sleep-deprived and covered in baby puke, I could go write a song. Whereas before, I could have wasted three days in a row, just thrown it away, now I could never do that. Now I have this little being to be there for and to play with and so I have to work hard and organize myself so that I'm present and not a slacker. HB: What made you decide to write completely new music for this album rather than compiling songs from throughout your career like you did in your previous records?

RS: I was writing when I was pregnant a little bit. Most of the songs were after when I had all this sleep deprivation but this desire to use my time well. Then because I wrote so many, they just kind of seemed to go together. With all the previous records, I had these songs that would patiently wait their turn to get on the record and be fully produced, and this time they all just stayed there and I didn't rescue any of them. I was so excited about these new songs and they seem to fit together.

All my other records spanned years. It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one. But it just felt like work of art that needed to go together—that's the only way I could describe it. RS: He called me and said, "I'm a really huge fan and I have this song and I'm going to send it to you and can you sing on it?

The song was what came out. So I said to him, "I don't really hear any space. What can I do on it? It feels like a finished song and it's great. Infantilisation is the abiding curse of ambitious female singer-songwriters with a taste for the theatrical. When she straps on an aquamarine electric guitar to play That Time, she resembles an ingenue in an East Village coffee shop.

The dark whimsy is too gauche, the delivery too cute. At different points I found myself thinking of The Grand Budapest Hotel and the last season of Fargo : stories that are visually stylised yet emotionally profound, superficially witty yet thematically grave. She approaches big issues from a position of curiosity and humility.