Why does everyone hate celine dion

Wilson sets this kind of listener against another kind of pop consumer who may engage in a less fraught relationship with music. The lyrical formula is cheerful, the sound is vaguely inspirational. Wilson goes to her show in Vegas, hoping to find some common ground. They are both Canadian, and he muses that they could be uncool together.

But then she performs a duet with a giant projected head of the late Frank Sinatra, and the spell of sympathy is broken. But it has become something different, a joyous skepticism, and also an example of good writing about art that is earnest, open, and even, at times, gentle.

He ends by celebrating the various ways in which a person might love a song: for its datedness, its foreignness, its sense of place, its power to stimulate memory, even its very popularity, since a hit song is as much an event as something to listen to. More: Books Music. Her fans near, far, wherever they are remain ferocious. No one could have predicted that going to Las Vegas for a multi-year residency in would not only revitalize her career, but also trail-blaze the path for other artists.

But it was Dion who did it first. Born in , in Charlemagne, Quebec, Dion was the youngest of 14 children in a very musical family. She made it first in Quebec and France — and even won Eurovision representing Switzerland in She accomplished all of this before even learning English. To some, it might sound like she is still learning English, but to a Quebecois living outside Quebec, her hard Ts, Rs and Hs remain quintessentially Francophone. But it went seven times platinum in Canada and reached over three-million sales worldwide.

Then there was The Colour of My Love , which had worldwide sales of 20 million and went diamond in Canada. Records were broken; awards won; accolades received.

This, despite the multiple reinventions of her career that have given her second, third, fourth and fifth winds. Shows in French-speaking countries and Quebec were instantly sold out.

The press tour, at once solemn, goofy and earnest, solidified the fact that Dion would not be slowed down, and revealed an artist who could adapt while also remaining true to herself. Even still, every time a photo of her makes the rounds online — very chic photos, by the way , of a year-old woman in couture, owning her age, body, sexiness — the trolls come out. Her over-the-top persona, owning the quirks that make her unique and different, staying positive in the face of adversity is everything this community champions.

Not looking to cloud your day but winter is knocking! But it appears that neither is true. Timbaland actually loves Dion and her "beautiful, mesmerising voice. If Timbaland wants to make a record with the person who gave us My Heart Will Go On , we'll just have to respect that. And if the finished product is absolute poo, it will undoubtedly be brushed under the carpet, as Wyclef Jean's hip-hop collaboration with Tom Jones was.

But where does this leave me? In a pickle. As a critic, I've come to rely on Dion as the gold standard of middle-of-the-road rubbishness, eg, "The new Enrique Iglesias album registers an impressive 7.